Movie sequels are falling flat

The film industry is poised to showcase a range of familiar franchises over the next year, but experts caution that this may not be enough to revive box office revenues. Major releases slated for 2026 include titles from iconic series such as Star Wars, Marvel, DC Comics, Toy Story, Super Mario Bros., the Hunger Games, and many others. Despite Hollywood’s reliance on these established franchises, industry insiders express doubt about achieving the coveted $10 billion box office milestone for the first time post-pandemic, as audience preferences continue to shift.

Industry analysts note that while franchise films have historically driven box office success, recent entries have not consistently attracted audiences. Alicia Reese from Wedbush highlights the growing expectations among moviegoers who increasingly rely on reviews and word-of-mouth. Data indicates that franchise films dominated the domestic box office from 2010 to 2019, but the percentage of total revenues represented by the top films has spiked, currently accounting for about 44%.

While franchises have proven popular, their recent struggles—illustrated by underperforming sequels like “Wicked: For Good” and “Avatar: Fire and Ash”—reveal a delicate balance; studios must cater to established fan bases while attracting wider audiences. The decline in mid-budget films and the rise of streaming services have also impacted theatrical releases, leading studios to market films as essential viewing experiences.

As the industry navigates these challenges, franchises remain central to Hollywood’s strategy to rekindle box office performance, encompassing not just movies, but a broader array of merchandising opportunities and events.

Why this story matters:

  • The success of established franchises is critical to the financial recovery of the post-pandemic film industry.

Key takeaway:

  • While franchises have traditionally driven box office success, recent films showcase a need for quality and audience engagement to maintain interest.

Opposing viewpoint:

  • Some argue that reliance on franchises limits creativity and the potential for original storytelling in cinema.

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